Tag / datamapping
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Animals, People – A Shared Environment: An Exhibition
Exhibition of Sniff Data work at the 4th Biennial Australian Studies Group Conference, 2011, Griffith University, South bank Campus, Brisbane. The animal conference brought together animal theorists and scientists from a broad range of academic disciplines to examine the inter–relationships between human and non human animals. POP Gallery exhibition.
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Axle Grind
Axle Grind was part of the Bloodbath event. Axle Grind borrows the electric violence of the roller derby pack and transforms it into noise, vibration and the rock power chord. Axle Grind maps the collision data from the roller derby players to Joan Jett’s I Love Rock n’ Roll. A robotic pink electric guitar hangs in…
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Laika’s Dérive Prototype
Laika’s Derive is a new work that uses GPS, accelerometer data and interval timed sports photography to explore embodiment and the psychogeography of place. A sketch for this project was produced during the Kiss Club incubator residency at the Performance Space, Carriageworks, Sydney. Feb 2010.(A minisite for the project prototype can be found here) An interval…
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33ºsouth | 33ºsur
33ºSouth is a three-channel audio-visual installation that juxtaposes the cities of Sydney (Australia) and Santiago (Chile) using a custom made data mapping system and database. Both cities lie on parallel 33ºSouth, and are post-colonial urban spaces with complex cultural and political histories. This project aims to set in motion a set of relationships between these…
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Bloodbath Live Event: bump projects
Bloodbath was the creative development and beta testing of a live event: . 5 artists, who work with data visualisation and or the body, each create a work that responds to live incoming data from collisions in a Sydney Roller Derby League, all-girl flat track roller derby game. Sensors attached to players send information to a…
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Australian Centre for the Moving Image: subscapePROOF
sub_scape PROOF is a datamapping system with video of the pulpit-like rhetoric of the professional politician; ‘secular confessional’ TV; advertisements, and TV reportage with its increasingly value-added, Baroque display. sub_scapePROOF was commissioned by the Australian Centre for the Moving Image for the exhibition “Proof – the act of seeing with one’s own eyes”, Melbourne 2004…
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subscapeBALTIC ISEA04
Exhibition at ISEA (International Symposium of Electronic Art), Baltic Sea Helsinki to Talinn, Estonia, August 11-21 2004. sub_scape is a conjuring and evocative work aimed at the interstices of metaphorical and material space. It is a playful and ironic critique on the traditional politics and power dynamics of knowledge-through-mapping. By mapping one space into another…
